Title: خانه JARTB توسط Kavellaris Urban Design | جوایز معماری ویکتوریا ۲۰۲۱

معماری مسکونی – خانه‌ها (جدید) “خانه JARTB دوباره این مفهوم متروکه را به هم وصل می‌کند که هنر و معماری تکنیک‌های جداگانه‌ای هستند بخش خانه و بخشی گالری هنری. فضای اطلاع رسانی و برنامه به جای برنامه حاوی آن هنر به عنوان “در” یا “روی” ساختمان تعریف نمی شود، بنا مصنوع است معماری و هنر را نمی توان از هم جدا کرد!هنر فراتر از بیان فرهنگی حرکت می کند و تبدیل به نحو معماری می شود. ، بیشتر از آلونک تزئین شده ونچوری یا خانه اردک JARTB تبدیل به کیمیاگری «اردک تزئین شده» می شود که در پارادایم نئوباروک شهری بیان شده است فضاهای دو ارتفاع، حجم های در هم تنیده و پیوندهای بصری به هم متصل و روایت می شوند. عنصر Art اکنون کاربردی دارد JARTB House تبدیل به هنر قابل زندگی می شود” ارائه ۲۰۲۱ به هیئت داوران – در مدرسه طراحی ملبورن در شنبه ۲۷ مارس ۲۰۲۱ برگزار شد. لطفاً توجه داشته باشید که به دلیل مسائل محرمانه یا مشکلات ضبط، همه ارائه های این دسته برای عموم در دسترس نیستند. در روز. ارائه موسسه معماران استرالیا به هیئت داوران، به مدعیان جوایز معماری ویکتوریا ۲۰۲۱ فرصتی را ارائه می دهد تا با پروژه های نامزد شده داوران صحبت کنند. داوری ۱۱ دسته اصلی را در بر می گیرد و به ۸ معیار خاص می پردازد. ارائه برخی از برجسته‌ترین معماران استرالیا، انستیتو معماران استرالیا به هیئت داوران فرصتی نادر برای عموم مردم است تا در مورد تأثیرات پشت برخی از نوآورانه‌ترین ساختمان‌های ویکتوریا بیاموزند و روند معماری را از مفهوم تا ساخت دنبال کنند.

قسمتي از متن فيلم: Uh good afternoon first I want to apologize that I was late I had a family emergency and there was no contact details so um apologize to you guys and to my colleagues but um having to intrude uh my name is Billy from kod Architects I’m the director

Um this is our family home called The Job Art House lots of people ask us what it means it’s basically our initials in our family and then art in the middle I’m a architect primarily but I’m also a an artist in photography poetry and some sculpture

Um and so we bought this house quite a number of years ago and I’ve been thinking about this for quite some time collecting art producing art collecting ideas of how we wanted to have an art gallery style home and when we’re ready for it we we had a

Go the house has a Northwest north south orientation it’s a dead end Street it’s a pretty traditional sort of tourak Street there are some eclectic infills over time but primarily it’s a really intact Victorian houses in the area and it’s a as you can see it’s a long

Linear block which contributed to the design outcomes that we were incorporating for the project we’ll just run through the plan quickly um it’s a three level home with the Subterranean basement which is a pretty much a a granny flat Underground but also a completely different experience which doubles up as a part of

The art gallery but also theater room bedroom and so forth and we have uh the block being linear this way with the primary living areas in the series through here and the bedrooms up the top with the number of voided areas to the rear and through the staircase and then

We have all the plants on top which I’ll get to shortly so our our practice has been very much interested in in the discourse of architecture as much as it is as building um beautiful things and Robert Venturi is a child from as a child and also an

Aspiring architect was a hero of mine and as we know Robert Venturi you know a lot to talk about um decoration and architecture and form and he essentially broke up buildings in two separate elements decorated dark or sorry the the duck or the decorated shed

And we kind of feel that we’re in a period especially for Job Art House where those two things that these typologies have have merged together into one thing and we have the decorated duck and this is a sculpture that I had actually produced for the front entry of

The home which greets you upon arrival and I think technology has allowed us to do these sort of explore new ideas um in the time that we’re living at the moment and so this house is really a Neo Baroque home so I’ve always been very interested in the in the Baroque Period

And how um there were so many interesting things happening but more importantly how the Baroque Period really fused all the Arts into the architectural Fabric and it became a language and so we’re more interested about learning from past as opposed to literally replicating it so when you

Look at this house you don’t think of it as a baroque home but you can see that some of the the lessons and the qualities in there so in the Baroque Period we had you know lots of ornamentation decoration we had ostentatious elements in the building in particular

Staircase in the entry and so the house basically arrives with this um concrete Institute facade which is masquerading as a staircase with a hole punching through it it’s the first house in the country that actually used self-compacting concrete so it was very difficult to actually create this facade

And pour it inside on site without having any air bubbles because of the nature of the geometry so we had to create a large mold took three months and then we pumped it from the bottom and you don’t actually vibrate the concrete and this becomes a heroic

Gesture in the entry with the seven meter cantilever over the top which becomes the glass shard and as we see here the there are two distinct elements the glass Shard which um some paintings that we 13 murals actually we managed to secure the rights from some International article pichuaba that

We’re collaborating on on a museum project and the platonic elements are meant to read it’s very singular and distinct elements and how they collide together but also to create some tension between them and create this large cantilever at the front one of the most important things for the

House for me was about not distinguishing between art and architecture they’re not two separate things it’s not just about sticking art on a wall it’s not just about having a you know a colorful picture on the facade they are meant to be integrated and the art actually informs the

Architectural decisions that were made you see the spread strips through here which runs the entire length of the building is the actual Art Gallery itself essentially it is the program or the circulation space of the house which we’ve actually created into a program and so all the art lives in here and

You’ll see this facade this glass Shard box that sits in here actually sits in the gallery and so when you experience the house in its entirety you can see that the art gallery stripped through here you can actually experience the exterior of the facade inside the house

And there are moments that we try to create where there are holes in the facades so that you can actually get views from one space into the other and in this particular instance you can start the scene section how the house operates but also how that art gallery operates

But we wanted to use art to actually drive some of these projects so we wanted to narrate and create tensions and views from one space to the other you see the column in here that punctuates through the two spaces we wanted to create art that sort of has a dialogue with a

Volume as well as the way that you would inhabit the space and so the way that you strategically connect spaces through ART and through Visual connections and light was a key feature to this home one other thing that we found very interesting and I think was the most

Successful part of the house is that the facade that you see outside is actually experienced inside and it actually sits in the art gallery itself so when you look up you actually can see and experience the outside of the house inside which is turns the idea on its

Head of what a facade should be but also it creates these beautiful light moments through here and this diagram sort of shows how you can how light and Views penetrate throughout the house these are the the murals that uh were from all around the world that we

Procured and sit on inside the actual facade itself and you can start to see how in these moments how the art actually becomes meaningful so that you actually can see it from the outside it’s not just a billboard it actually interacts and it’s also a homage to the stain like glass

That you would see in Baroque churches and so we were very conscious of creating important moments so that you can actually read the outside from the inside and have that threshold of privacy the house itself also has been pretty much bespokly designed with multiple Craftsmen and we’re very interested in

Reconnecting with the idea that the architect and the master Craftsmen would get together with its contractors and create moments in the house like this joint face joinery and so forth um and an emphasis on on the handmade before we talked about some views from how you get from the basement out into

The sky and some other key considerations for the house were also about how we wanted to make sure that this house was completely sustainable you would have seen earlier on how we had the plants on the roof so one of the important components of the the

Site is that its linearity was one of the key considerations to how we would cross ventilate the home so um big bifold doors at the back large door at the front becomes a natural air conditioning system we wanted to use technology to drive moments to be able to monitor energy consumption solar

Battery storage windows are all connected through an app and so the idea was that in turak many people because of their wealth are not interested in the this is maybe a generality but not interested in um the consumption costs whereas we were very interested in our carbon footprint as well as making a

Sustainable home that’s about that wraps it up

ID: FXRnVBWVcMw
Time: 1679020210
Date: 2023-03-17 06:00:10
Duration: 00:08:29

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